AxeMan journeyed to Woodstock in the summer of 1971 for the express purpose of returning his imaginary friend (see prior post) to its rightful owner, Philip Guston (seen in the company of Phillip Roth, at left). The two cranky guys were plotting a vengeful act against their arch-enemy, Richard M. Nixon. At that moment, it is also possible that Roth was brewing his own alter ego, Nathan Zuckerman, a Jewish boy from Newark who would enter the literary world as an alter-alter ego with the moniker of Peter Tarnopol in My Life As a Man in 1974. About this, AxeMan knows nothing. Not even enough to ask. But now, as he begins to address serious identity problems, the time may be at hand. The clamor of his religious identity has already been broached. He, unlike Zuckerman, has been cast as an Atheist. And now he has another, far more complicated, piece of his identity to explore; a facet that The Creator has been loathe to entertain publicly, and certainly not to the degree that Roth has.